The Tale of Two Boarding Houses

This is the tale of two boarding houses in Raton, New Mexico. I had gone to this town in northeastern New Mexico to traverse the territory that Sally Porter lived in 1898. Who is Sally Porter, you may ask? She is the protagonist of my current work-in-progress (WIP).

While in Raton, I learned about two boarding houses that were in operation in the 1890s. The first is now a bed & breakfast called Heart’s Desire, where I stayed for several days. Situated near the heart of the town, it’s location was perfect. The historic district, quaint shops, a museum, and the library were all within walking distance.

The house, painted sweetheart pink, was built in 1895 by the first U.S. Marshall of Raton and served as a boarding house run by his wife. She not only fed the residents but also cooked the meals for the occupants of the jail. The footpath between the house and where the jail once stood is still visible. One story is that when the jailhouse was full, the sheriff would lock prisoners in the house’s carriage house.


The hostess, Barbara Riley, has restored the house and decorated each room with a delightful theme, showing off the place in Victorian splendor. Upon my arrival, she greeted me with a warm slice of apple pie and cup of tea. After the refreshments and conversation, I was shown my room, the Blue Willow Room. It had a lovely view over the town’s historic buildings and the fall foliage.

Each morning, I was treated to some of the best cooking I have ever had while traveling. Barbara put a lot of love into each breakfast she served. It fortified me as I headed out on my adventures for the day. On my return in the evening, I was greeted by the official welcome committee, Guinness, a sweet-tempered Yorkshire terrier. I would settle into one of the couches in the sitting room with a cup of tea and write up my notes for the day listening to Barbara play the piano.

I felt very spoiled.

I would recommend stopping for a night or two at the Heart’s Desire Bed & Breakfast. Barbara’s enthusiasm and knowledge of the area, the comfortable environment she created, and the location made this pleasant stay. It is also pet-friendly and has wi-fi.

Let me introduce you to proprietress of the second boarding house, Cathay Williams –slave, domestic worker, soldier, and businesswoman.

Cathay was born a slave in 1844. At the start the Civil War, she was on a plantation on the outskirts of Jefferson City, Missouri. When Union soldiers marched in she was considered “contraband,” and like many slaves, she was pressed into service as a cook and laundress. At one point, she was transferred to Washington D.C., where she served as a cook for General Philip Sheridan.

After the war, Cathay found herself unemployed, and with no money and few opportunities, the tall, lanky woman made a drastic decision. She posed as a man and joined the army, using the name William Cathay. She was assigned to the 38th Infantry Regiment, one of six all African-American regiments that would become known as the Buffalo Soldiers. She was hospitalized several times during the nearly two years she served and was never examined closely enough to discover her secret until she let it slip. She was given a medical discharge in 1868.

After her discharge, Cathay joined family members in Colorado, where her mother was a matron at the Lincoln Home for orphaned and abandoned black children. The one known photograph of her was taken during this time in Pueblo. Then she moved to Trinidad where she worked as a seamstress. While there a reporter from Saint Louis came to visit her, after hearing rumors of a black woman soldier. Her story was published in The St. Louis Daily Times in 1876. Shortly after her story was published, she became ill, suffering from neuralgia and complications from diabetes. In 1893, she applied for an army pension, as had Deborah Sampson, who served as a man during the American Revolutionary War. Her claim was denied, despite her having to walk with a crutch (her toes had been amputated.)

Many biographies of Cathay Williams report that she must have died shortly after her 1893 pension claim was denied as her absent from the Trinidad census rolls of 1900. But according to two sources I spoke with in Raton, this is not the case. Both the historian at the Raton Chamber of Commerce and the curator of The Raton  Museum reported that she moved from Trinidad to Raton, where she lived the last three decades of her life. According to them, she ran a boarding house. However, it’s location is not identified on any period maps. She offered room and board to the local railroad workers, and when General Sheridan’s son passed through the area, he stopped and stayed with her a few days.

Williams died in Raton in 1926 at the age of 82. Her body is thought to have been returned to Colorado to be buried with her family, in either Pueblo or Trinidad, but the location of the grave has been lost.

Cathay Williams’ story is a tale of resilience. She rose from being a slave to a businesswoman. It is also a story of racism. As evidenced in the medical care African-American soldiers received. It must have been minimal as she was “examined” multiple times and the doctors didn’t realize she was a woman. Also when she applied for her pension, she wasn’t a white woman represented by John Adams like Deborah, but a poor black woman with a lawyer who did little to push her claim through. In spite of these, she left her mark. In 2016, Richard Allen Cultural Center and Museum in Leavenworth, Kansas dedicated a bust of Cathay Williams (AKA Private William Cathay), recognizing her place in history as the first African-American female soldier.



Cathay Williams (AKA Private William Cathay)  Willam Allan Cultural Center & Museum, Leavenworth, Kansas

This veteran salutes you, Private Williams.


In the late 1800’s, Raton was a bustling railroad town with many boarding houses and hotels. These were just two them.

Until next time, remember . . .

The door is always open, and the Kettle is always on.

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A Simple Question: “What do You write?”

It’s a simple question, “What do you write?” I’m asked it often, which got me thinking.

Every writer focuses on a specific genre; it is their brand, their identity. I have many writer friends. Three stand out to me, as truly knowing who they are as a writer, Molly Jo RealySierra Donavan, and Brent A. Harris.

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Molly Jo Realy, author of NOLA

Molly Jo writes “location mysteries,” a genre she created for her up-coming novel NOLA, set in New Orleans, Louisiana. The location is essential and integral to the plot. The mystery can only happen in this setting. If the tale, if it took place in another city, would be altered significantly. In NOLA, a young woman’s trip to the Crescent City takes some unexpected turns as only the old city can dish up – there’s fried alligator and voodoo, too.

Sierra writes “sweet romances.” These romances do not have the “heat” of other romances with little or no steamy scenes or foul language. Her most recent book, Do Not Open ‘Til Christmas, tells the story of what happens “when a Scrooge-like boss and a determined young woman have to work together during the holidays.”

Brent writes “alternate history.” This type of historical fiction is referred to as conjectural or speculative because though based on historical events it asks “what if?” at a crucial point in the action. In his recent book, A Time of Need, the question is “What if George Washington fought for the British?”

I ask myself, “What do you write?” The fast and simple response is historical fiction, primarily romance. This historical romance isn’t accurate. A better answer would be Victorian romance. Even that is too broad.

So with a cup of vanilla chai tea, I settled into my chair to define for myself the historical period I write.

First, what is Historical Fiction? According to, it is “the genre of literature, film, etc., comprising narratives that take place in the past and are characterized chiefly by an imaginative reconstruction of historical events and personages.” How far back in time does a work need to be to be considered “historical”? Depending on whom you ask that changes. According to the Historical Novel Society, how it is defined is debatable, but they considered a story historical if set fifty years or more in the past and the author is working from research and not personal experience.  So using this definition, and given I was born in 1961, anything I write set before 1960 is historical fiction.

I could use the term Victorian as I write primarily during the years between the Civil War and World War I (1865 – 1914), which overlaps with the Victorian period (1837 – 1901) of the British Empire and La Belle Époque (1871 – 1914) of continental Europe.  True, the United States did follow some of the English mannerisms and morals of the time, but I write stories take place, not in England or Europe, but America.

In the United States, 1865 – 1890 is called the Gilded Age and is followed by the Progressive Age (1890 – 1914). Mark Twain coined the term Gilded Age when he titled his 1873 novel The Gilded Age: A Tale of Today. Though not well known, the story is remarkable because it is the only book Twain wrote with a collaborator, Charles Dudley Warner.   It satirized the post-Civil War era’s greed and political corruption. Twain and Warner took the title from Shakespeare’s King John  “To gild refined gold, to paint the lily . . . is wasteful and ridiculous excess.” (Act IV, scene 2). They did not mean it as a compliment.

This period is a tapestry of vast contrasts. The rich lived lavishly, building seaside mansions. The poor worked twelve-hour days, six to seven days a week for barely enough pay to support their families. However, it is also the time of social reform, including the rise of the unions that brought in the eight-hour workday and end to child labor. In spite of the political corruption, it was also a time of political reform; civil services workers had to start taking a test to get their jobs, reducing cronyism. It was also the time of the women’s suffrage movement.


Western Territory Map

This is the background of my historical period, but my stories take place mainly in the western regions of the United States: the territories of Arizona, Colorado, New Mexico, and Utah; and the states of California and Nevada. Historians call these years the Wild West period (1865 – 1895).  It is a time of westward expansion, wagon trains, homesteaders, gold and silver, bandits and cowboys.

Now that I have defined the historical period, what about my writing?

Princess Victoria

The Princess of Sweetwater

I just completed a short novel, The Princess of Sweetwater, which I am presenting to prospective agents. The story of a privileged  La Belle Époque aristocrat, Princess Victoria, in 1886, who runs away from the Gilded Age city of San Francisco to a small town in Southern California and falls in love with a rancher. It has a romance, life on a Californian ranch, and some international intrigue.


Sally Ann Porter

My current work-in-progress (WIP) is a novel, Sally of Rancho Terra Linda (working title).   Though still very much a rough outline and a loose series of scenes, it is the story of a young woman in 1898 territorial New Mexico that must deal with her father’s remarriage to a Chicago widow and new siblings while still getting her chores on the ranch done. Planned subplots include a murder and a romance with the local doctor.


Mary Cogswoth

A third story, on the back burner, is The Cogsworth Files (working title). It’s a serial tale about Mary Cogsworth, a Secret Service Agent, and her companion, Seamus, an Irish wolfhound. Together they work to protect America in 1885. It has elements of romance, western, and steampunk.

Victoria’s story is clearly a romance set against the backdrop of “fish out of water” story during the Gilded Age in a small town with some elements of a western.

Sally’s story is more of a western set against the backdrop of a clash between Progressive Age expectations with western reality.

Mary’s story is more an adventure story set against the backdrop of the Gilded Age featuring trains and steam-powered gadgets.




So again, I ask, “What do you write?” After some thought, I would narrow down my genre to “Gilded-Age/Progressive-Age/western historical fiction” But that’s a bit of a mouthful, so maybe “Late 19th century historical fiction.”

Will I stray out of this historical period? Yes, every once in a while I will. I’ve written some contemporary romances, as well as stories set in the 1960’s, 1920’s, 1500’s, and the first century.

Two more questions: Why do I prefer historical fiction? And why late 19th-century? I grew up reading historical fiction, history books, and biographies. I found it fascinating. I chose this period because I live an area where there are ample sources for me to explore the history and geography.

I’ve shared some of my explorations with you in the past and will continue to share those stories with you over a nice cup of tea.


Vanilla Chai

Remember the door is always open, and the kettle is always on.

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What is a Writer?


I had just about given up on writing. I’ve not written anything much of anything, except reports for work, for nearly six months. A part of me wanted to stay in “not writing” mode, but my brain kept thinking and churning. Characters kept talking to me, wanting their story told.

So, it begs the question, “What is a writer?” One silly meme defines a writer as “peculiar organism capable of transforming caffeine into books.” I know it is more than that. I’ve been telling stories for as long as I can remember, and it didn’t take much to get me started. Sometimes the stories were made up, and some were just telling the day’s events. But they were stories. Telling stories or writing them down, I think is something I’m driven to do. I can’t help myself. If I’m not writing them down, I’m telling them to myself as I go about my daily duties.


Some writers describe their need to write on a deeply instinctive level. For example, John Steinbeck said, “I nearly always write just as I nearly always breathe.” And Ray Bradbury wrote, “Every story I’ve written was written because I had to write it. Writing stories is like breathing for me; it is my life.”  Breathing is involuntary. Of course, we can hold our breath for a while, but eventually, we’ll pass out, and our lungs will do their work unhindered. Writing is involuntary.


Others speak of writing as being a compulsion or obsession. Anne Rice admitted, “Obsession led me to write.” For J.K. Rowling it will never stop, “I’ll be writing until I can’t write anymore. It’s a compulsion with me. I love writing.” As long as I live I will feel compelled to tell tales, even if only for my own entertainment.


And for some to not write is to court insanity. Umberto Eco wrote, “To survive, you must tell stories.” Franz Kafka put it more bluntly, “A non-writing writer is a monster courting insanity.” Many writers of fiction will tell you that their characters live in their heads and talk to them. If they didn’t write it down the chatter would keep them from sleeping. The voices in my head taunt and entice me to tell their tales.


Isabel Allende said that “Writing is a calling, not a choice.” A calling is sacred, it cannot be refused for long. Every time I turn around I hear the siren’s song beckons me, it won’t be denied.


And Ernest Hemingway observed, “Once writing has become your major vice and greatest pleasure only death can stop it.” When I’m not at work, I’m either reading or writing. (I’m working under the assumption that research, outlines, and edits are writing.)



Eugene Ionesco reminds us that “A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.” As I learned these past few months. Victoria demanded to be completed. Sally and Mary want their stories told. All three keep chattering away, denying me peace and sleep. And every once in a while, little Bitty will wake from her nap and ask, “What about me?”



Does this mean I can quit? Not if my friends, both real and imaginary have anything to say about it. Ray Bradbury often repeated, “You fail only if you stop writing.” And James Scott Bell asked, “Are you a real writer? Then keep writing, And don’t stop. Ever.” Or as Alton Gansky shared on the Firsts in Fiction podcasts: Al’s Axiom #88 – You can quit anytime, but you can’t stay quit.

What is a writer? I am a writer, and I shall write. Now to make some tea.

Until next time, remember the door is always open and the kettle is always on.

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Rabbits and Writing

“Ideas are like rabbits. You get a couple and learn how to handle them,

and pretty soon you have a dozen.”

 John Steinbeck

As a writer and a storyteller, friends ask me questions about my writing process. With my London Fog Latte in hand, I’m going to answer some of those questions.

Where do you come up with your ideas?

Like Mr. Steinbeck’s rabbits, I find ideas can come from anywhere: a photo, an overheard conversation, or a museum display. My favorite source of ideas is woolgathering. As Joyce Carol Oates said, at the 2017 LA Times Festival of Books, “Only for the writer is wool-gathering work.” Just letting my mind wander in the forest of my imagination, I find wonderful people and events. And when I find one, I add it to my list.

In the case of The Princess of Sweetwater, I was muddling about looking for an idea for my 2011 National Novel Writing Month (NaNoWriMo) project. Earlier that year, I had gone the Antelope Valley Alfalfa Festival and Fair and visited the Antelope Valley Rural Museum on the grounds. I learned about ranching and farms during the area in the late 1800s from the displays. A few weeks later, I was watching my favorite movie for the hundredth time, Roman Holiday. Now the wool-gathering begins. What if a princess ran away in 1886 and came to the Antelope Valley? What if she fell in love? What if she was forced back home against her will?

The Western Hotel Museum

The Western Hotel Museum, Lancaster CA – The inspiration for one of the story’s locations.

Are you a plotter or a pantser?

I’m not a plotter/planner in the strict sense of the word. I research the historical period, I study maps, and I visit the locations.  I do write an outline, but it is a simple one with just the main plot points noted. Some plotters, when done with their outline, have a ten-page plot synopsis with every detail listed. I do plan, but I also discover my story as I write. The outline is just a roadmap, and if I find an interesting detour, I’ll follow it and see where it leads. In this, I share traits with the discovery/intuitive or pantser writer. I am a hybrid. When I reach the end of my first draft, the story may be very different than I first envisioned it during the outlining stage.

When do you edit/revise?

Until I finish the first draft, I do very few revisions, if any. I just put the story down with its awful and awkward scenes, misspelled words, and grammatical errors. But that’s okay; it’s the first draft. I just want to get the idea down on paper and resist the urge to go back to revise and edit.  James Scott Bell wrote in his book Revision & Self-Editing, “Give yourself permission to be bad. Write first, polish later.”

If I find I’ve drifted off the main road and it will require a change in a previous scene, I make a note in a different color to remind me to fix the continuity. If I find a scene no longer will fit, I don’t delete it. I line through it, so I can still see it, because during revisions I may find it works better elsewhere.  I do set a daily goal. If during NaNoWriMo, it’s 1750 words a day to make the 50,000 words by the end of November. Over the rest of the year, my daily goal is three pages or about 900 words. If I stopped to revise, I’d never make the deadline. When I finished the first draft of The Princess of Sweetwater, I had 50,613 words of which a third would find themselves chopped when I began to edit. The first draft was just a skeleton, with only Princess Victoria’s story told, no backstory, a flat male protagonist, and no subplots.

I’ll admit edits and revisions are hard work and painful. I start by reading the manuscript and find I have plot holes big enough to drive a stagecoach through. Despite the pain, I chop and rewrite.  As Stephen King wrote, “Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.” Sometimes it’s the best thing you can do. I cut out several lovely scenes in The Princess of Sweetwater, beautifully written, but they did nothing to move the plot forward and as a result had to go.

 Do you let others read your stories in progress?

I do have readers for my work-in-progress (WIP). I have Alpha Readers. These are fellow writers who help me shape the work as I am writing the first draft and before any serious revisions start. Often, they give me a hand with finding kinks in the plot, to avoid dead ends, and discovering something that was missing.

My Beta Readers review the manuscript when it is finished. These are readers who love the type of stories I write and will be honest with me if something doesn’t work, or if I’m just wrong about a historical fact. I choose some Betas because of their expertise in the era or industry used in the story. Their comments help me tighten the story before I sent it to a professional editor.

 Of course, at some point in the process, my husband reads it and gives me his thoughts and corrections.

How long does it take to write a novel?

The process of writing is different for every writer. In the case of The Princess of Sweetwater, it has been a long journey from its beginning in 2011 to now.  (I don’t say the end because the end is publishing and marketing.) Part of that is due to me setting the book aside to give me a break from it. Sometimes I need to step away from a project to see it with fresh eyes. After each revision, I tucked Princess Victoria and her friends away until I could return to them later.

Are you going to self-publish?

At this point, no. I am in the process of submitting The Princess of Sweetwater to agents.

How do you handle writer’s block?

I don’t. Writer’s block happens when you sit around and wait for inspiration to arrive. But as Jack London said, “Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will nonetheless get something that looks remarkably like it.” So even if I don’t feel like it, I make myself write every day. It may end up being poor writing but as Jodi Picoult said, “You can always edit a bad page. You can’t edit a blank page.”

For inspiration, I have a sign on my desk that reads, “You fail only if you stop writing. – Ray Bradbury.”

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What is a London Fog Latte?

A London Fog Latte is a latte made with Earl Grey Tea and steamed milk.


  1. 1 cup (8 oz) strongly-brewed Earl Grey Tea (I add a pinch of dried lavender, optional)
  2.  1/2 cup (4 oz) steamed or scaled milk (any kind)
  3. 1 Tbsp. simple syrup,  granulated sugar, or sweetener of your choice (adjust to taste, I often leave it out entirely.)
  4. 1/4 tsp. vanilla extract

After steeping the tea and lavender, pour into a cup and add the other ingredients. Stir gently. Enjoy.


Until next time . . .

The door is always open, and the kettle is always on.

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It’s a Timey-Wimey Thing: San Diego Who Con 2017

With all of time and space to wander the Doctor landed in San Diego last weekend – all of thirteen of them – along with River Song, K-9, and Jamie McCrimmon. I wasn’t going to go this year to the San Diego Who Con, but my husband surprised me with a full membership and a ticket to the Sunday tea. As I sit here reminiscing about the fun, drinking a cup of Gypsy Caravan Tea (a black Chinese smoked tea with rum flavoring), I can’t help but smile.

I arrived late on Friday after driving down from work, missing a couple of the panels but in plenty of time for the evening fun.  San Diego Who Con kicked off its second year with the Who-aiian Luau. The Doctors and companions (fans in wonderful cosplay) danced the limbo, played palm tree basketball and coconut-pineapple bowling.  Later in the evening, there would be a group hula and karaoke. Two of the con’s special guests, Chase Masterson (Leeta from Star Trek: Deep Space Nine) and Frazer Hines (Jamie McCrimmon, one of Doctor #2 Patrick Troughton’s companions) joined the guests chatting and enjoying the food. The highlight for me was when Chase picked up an armful of beach balls and told me to do the same, and we started throwing them across the room. Soon others joined in, and a multi-ball game of dodgeball began. The bartender was not amused when some of the balls flew close to his carefully stacked glasses.

Arriving early the next morning, I read my program book trying to decide on which panels to attend. I decided on a panel discussing the Doctor Who canon and trying to understand the timey-wimey ins and outs of the Whoverse, but due to a mix-up in the rooms, I ended up at the panel Rule One: The Doctor Lies hosted by River Alexander Song. It was a game where four of the Doctors (#4, #6, #7, #11, #12) tell the audience about something or someone, such as Queen Victoria or the history of knitting. Everything they said was a lie, except one thing and the audience must ferret the truth out.  They were all very convincing, and the winner of the San Diego Comic-Con bag was a young lady about fifteen-years-old.

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Rule One – The Doctor Lies

My next panels were Q&A with the guests. Chase Masterson and Frazer Hines sat together with British comedian Ben Paddon moderated. Chase thanked Frazer for bringing her into the world of Doctor Who, as he was the one who recommended her for a Big Finish production. She has gone on to several others. The two were obviously good friends and enjoyed ribbing each other.


Chase Masterson, Frazer Hines, and Ben Paddon

Frazer said two things about his time as Jamie McCrimmon that made me like him even more. First, he credited the late Patrick Troughton with saving Doctor Who, without him and his great performance the show would have been canceled, and we wouldn’t be sitting in this convention. The second was that being a part of Doctor Who was one of the best times in his career, and he hated to leave the show.

Chase also spoke about an organization she founded called Pop Culture Hero Coalition a program using stories “to make a stand for real-life heroism over bullying, racism, misogyny, LGBTQ-bulling, cyber-bullying, and other forms of hate.” She has assembled a team to develop curriculum to address these issues at the elementary school level.

The next panel of the day was listening to the delightful W. Morgan Sheppard talk with Ben about his career. As a character actor with over a hundred credits to his name, Morgan has played every conceivable role in virtually every genre. He had been a police officer, a priest, a murderer, and a Klingon.  The panel was supposed to be a Q&A, but we were enjoying Morgan’s stories and encouraged him to continue. He expressed surprise that Doctor Who fans wanted to have him at the convention, after all, he only spoke about three lines in his scene in the episode The Impossible Astronaut. He talked about his training and how he mentors young actors. He encouraged anyone pursuing an acting career to get some training and find a mentor. At eighty-five, he said he wasn’t going to stop acting, but can be more selective about the roles he accepts.

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Ben Paddon and W. Morgan Sheppard

My next panel of the day was a nerdy one, The Doctor and the Psychology of Identity. Led by Dr. Inns Kanevsky from San Diego Mesa College. She started talking about how identity is formed by biology and environment, then solidifies during the teen years. She proposed the character of the Doctor is in a state of perpetual adolescence. She points to his behavior. For example, he is constantly on the run and with a few exceptions has no strong family or friendship connections. She also noted that with each regeneration he has to rediscover who is, and in the case of the next generation that adjustment will be harder than before.

The last panel was nerdy also. The Sciences and the Doctor. Two professors, Dr. Lisa Chadwick (Astrophysicist) and Dr. Lisa Will (Geologist), from San Diego City College, discussed where the show got the science and history right, where it was wrong, and where it doesn’t really matter. They also discussed how show runners will call for information, and then completely ignore what they were told by the scientists. As for the T.A.R.D.I.S., is it plausible? Probably not, but as long as they don’t try to explain the physics of it and the Time Vortex, the presenters said they could suspend disbelief.

With so many cosplay participants we were treated to a costume parade led by House of Scotland Pipe Band.


The House of Scotland Pipe Band with Frazer Hines and Doc Phineas

Saturday evening the Who Con hosted a “Christmas out of Time” Concert and Dance Party. I didn’t stay for this. Instead, I chose a quiet dinner with my parents at a Japanese noodle restaurant followed by a leisurely walk down in the canyon near their house.

The last day of hanging out with my fellow Whovians started with the panel Diversity in the Whoverse and Beyond. I had been invited to come to this panel by Kate, one of the presenters, as I worked with special needs students and had a knowledge of classic Who that they did not. Yes, Doctor Who was an all-white cast during the classic Who period, but it was the 1960’s and 1970’s and produced in England. Today, they have more diversity with the introduction of Micky, Martha, and Bill. They have also had a deaf actress in one episode. Bill was also gay, but it wasn’t something they made a big deal about, she just was. Then there’s the omnisexual Jack Harkness, enough said there.  When it comes to Bechdel Test, New Who did better than most adventure series. The show runners are doing better, but casting could be more diverse.

There was one panel Sunday, I would have liked to have seen, The Art and Madness of Writing Episodically. I couldn’t go because it ran simultaneously with the All of Time and Space Tea Party. I did catch up with the presenter, and she said she would email me her power point presentation.

At the All of Time and Space Tea Party, all the Doctors and his companions, Victorian ladies and gentlemen, and special guests gathered to enjoy some light refreshments and each other’s company. I was seated at the same table as Chase Masterson. Chase took on the role of hostess making sure no one was left out of the conversation. We were treated to finger sandwiches, fresh fruit, scones, and assorted sweets. I had Earl Grey tea, of course. The food was good and the conversation better. There was a drawing for door prizes, I won a personally autographed copy of Frazer Hines’ book Hines Sight.

I mustn’t forget the Merchant’s Room. In this large space, vendors sold hand-made items, toys, books, and memorabilia. The guests had tables where you could get an autograph. There was also a silent auction supporting their charity Pegasus Rising, a program to help veterans recover from PTSD with equine therapy. I bid on and won a canvas bag with the convention’s logo.

This was truly a family-friendly event. As well as the panels for adults San Diego Who Con offered several panels just for the kids and the young at heart. There were also make-and-take crafts in the Merchant’s Room that participants of all ages enjoyed.


Making Tea Cup Headbands

I thoroughly enjoyed myself. The small numbers meant a more intimate environment where I could get to know the other guests. I learned a few things about the Doctors, his companions, and the show that when I re-watch the shows, I do so with a deeper understanding. I made the acquaintance of several who may very well become good friends. I will definitely consider going again next year.

Until next time . . .

The door is always open, and the kettle is always on.

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LA Fleet Week 2017

Fleet Week


Another LA Fleet Week has come and gone. Many have never attended a Fleet Week event unless they’ve lived in a city with a major U.S. Naval base. During a few days a year, the Navy opens drops the gangway and invites the public on board to get a glimpse of what life is like aboard a ship.

Growing up in San Diego, Fleet Week at North Island was an annual event. I grew up loving the Navy and its feeling of family, perhaps that’s why I joined the Navy back in the day, but that’s a story for another day.

LA Fleet Week is held every year over the Labor Day weekend at the Port of Los Angeles – San Pedro. This year five ships joined the permanently docked U.S.S. Iowa.

Uss Anchorage (LPD-23) is a San Antonio-class amphibious transport dock, is the second ship of the United States Navy to be the namesake of the city of Anchorage, Alaska. She carries a crew of about two thousand.


USS Anchorage Photo credit

 USS Dewey (DDG-105) is an Arleigh Burke-class guided missile destroyer in the United States Navy. Dewey is the third Navy ship named after Admiral of the Navy George Dewey, the hero of the Battle of Manila Bay during the Spanish-American War. She carries a crew of about three hundred.


USS-Dewey Photo credit

USS Scout (MCM-8) is the eighth ship in the Avenger-class of mine countermeasure ships, commissioned by the U.S. Navy on December 15, 1990. Minesweepers are the smallest ships in the U.S. Navy with a crew of about eighty.


USS-Scout Photo credit

USCGC Cutter Active (WMEC-618) is the eighth Coast Guard vessel to bear its proud name, the first was in 1886. She carries a crew of about seventy-five.


USCGC Active Photo credit

HMCS Ottawa (FFH 341) is a Royal Canadian Navy Halifax-class frigate. Ottawa is named for Canada’s national capital, the City of Ottawa, Her crew average two hundred and twenty-five.


HMCS Ottawa Photo credit

Sunday morning, my husband and I headed down the hill to Los Angeles and met our friend Brent. We found this small restaurant with seating for twenty and were treated to biscuits and gravy, sausage and cheese omelets, and peach waffles. The staff was hopping, and the guests were filling the seats as fast as they were vacated. The food was good, and the staff kept us smiling.

After eating we walked to the cliff and looked out over the San Pedro channel, before heading down to the Port of Los Angeles. We parked a few blocks away, as the parking at the port is sometimes scarce. Once on the pier, it was a street-fair atmosphere. Vendors and organizations educated, informed, entertained and enticed. There were even activities for the kids.

To see the ships, you needed to go past the vendors and the U.S.S. Iowa and through a security check. Once inside the dome, there were more vendors and displays as we wound our way toward the line. We had made reservations and held tickets, so we were able to go to the shorter line. The standby line was nearly three times as long, so it was worth the time to go online and get the free ticket.

We didn’t know which ship we would tour. It was the luck of the draw, a crew member from one of the ships would come to the line and take twenty or so people to their ship. We were in a group that visited the U.S.S. Dewey.

The Dewey is small compared to a transport ship or an aircraft carrier, but don’t be deceived she may be small, but she is fierce (to paraphrase Shakespeare). Her job is to protect the air craft carrier with missiles and guns that can shoot several hundred rounds a minute. Seeing the upper decks and guns pales in getting to visit with this new generation of sailors. The young men and women are smart, brave, and volunteers. They chose this with eye wide open and few reservations. I am proud to call them my brothers and sisters.


USS Dewey with Vincent Thomas Bridge in the background Photo Credit – Therese Moore

After the brief tour, we headed home, tired, sunburned, and happy we made the drive. Hope to see you there next year.

Wishing you all “Fair Winds and a Following Sea.”

Just a short post script – I did take more than fifty photographs but some how lost all but one. I am grateful to for the use of thier photos.

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Social Media: Devourer of Time

The current wisdom is everyone from the writer to the musician to the actor to the small business entrepreneur needs “a platform.” A platform is your social media foot print. And there are many to choose from including Facebook, Twitter, WordPress, and Tumblr. If you want to be taken seriously in the modern age of technology, I am told you need to be online as much at three times a day. The idea is to get “followers.” The more you have, the more credibility you have in the cyber world and the real world.


I don’t know about you, but I find it difficult some days to juggle my pay-the-bills job, my writing, and social media. After a rather dramatic panic attack two weeks ago, I decided I needed a break. And today, I’m returning from a social media vacation. While on my little holiday from the cyber world I didn’t visit any the social media sites where I have accounts and the only posts on these were scheduled before my taking the time away from the internet.


Did the world come to an end, because I wasn’t posting? Did anything earth-shattering occur?

Okay, there was a small earthquake in Southern California, but I don’t think you can blame me for that.

In the quiet solitude, I found something I had forgotten – time. Social media and the internet, in general, devours that precious commodity.  A quick “I just need to post this,” becomes two hours sitting in front of the computer. I’ve lost track just how many times I sat to do something that should have taken but a few minutes and found myself rising from my chair hours later stiff, sore, and wondering where the day had gone.

With less time in with my backside glued to the office, chair some things changed around the house. I got more writing done (yes, technically that’s done at the computer, but the internet was turned off), I finished a book I’d been trying to read for months, I cleared much the programming on my DVR, my house was cleaner, and my dogs got walked more often. And since I was up and moving more, I had less stiffness, less pain, and I lost five pounds.

Did I miss some things? Yes, I did. I missed a podcast I listen because I didn’t get Facebook or Google+ reminder they were starting. I also didn’t a funeral for a ninety-eight-year-old woman from my church; I didn’t see the notification on the church’s Facebook page.


So, what did I learn?

Moderation and balance are needed. I require a plan to keep the things I enjoy and desire protected while maintaining a presence in the cyber world. Perhaps setting a timer would help, for every hour in the seat, I must get up and do something more active for an hour. There are also websites that you can use for scheduling posts, a short session and the week is done. It seems simple, but it requires commitment and be accountability. Feel free to ask me how I’m doing on this in a few weeks.

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The Star Trek Convention: Cosmos, Celebrities, and Causes

“Space: the final frontier. These are the voyages of the starship Enterprises. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man had gone before . . .”


The world’s most famous split infinitive became a part of our cultural identity fifty-one years ago. A show that almost didn’t get made, twice saved by the first fan-based letter writing campaigns. It was canceled after three seasons but continued in syndication. Now a half century later, there have been five televisions series (with a sixth on the way), an animated series, six movies based on the original series, four based on the Star Trek: The Next Generation (ST:NG), and the “reboot” films by J.J. Abrams referred to as the Kelvin Timeline. That’s a lot of Star Trek in five decades.

But it did more than entertain. It was different the previous space adventures that warned us that the cosmos was dark, dangerous, and out to get us. Star Trek is hopeful. It is a future where humanity survives its worse impulses and reaches out to take out its place among the stars. It also dealt with controversial topics, such as racial equality, war, and greed. They inspired both boys and girls to become scientist and astronauts.

This year marks the thirtieth anniversary of ST:NG, which continued the tradition, changing “where no man had gone” to “where no one had gone” to demonstrate this would be a more inclusive storyline. They also added the struggle of what does it mean to be human with the sentient android Data.  Women’s roles were even more prominent. For example:

  • Doctor Beverly Crusher (Gates McFadden) as the head of the medical department
  • Fleet Admiral Alynna Nachayev (Natalija Nogulich) as Captain Picard’s immediate senior officer, who will also appear on Star Trek: Deep Space Nine (ST:DS9)
  • Tasha Yar (Denise Crosby), a senior security officer
  • The mysterious Guinan (Whoopi Goldberg), tending Ten Forward, a futuristic bar.

I was four when the first episodes Star Trek: The Original Series (ST:TOS) aired in 1965, so I can say I literally grew up with it. I’ve seen all of the ST:TOS episodes at least twice and some maybe a dozen times, thanks to re-runs, video tapes, and now DVDs. When the opportunity arose, I went where I had not gone before, the Star Trek Convention put on by Creation Entertainment in Las Vegas at Rio Hotel and Resort. This year the event’s focus was the celebration ST:NG’s thirtieth anniversary.


To say it was overwhelming at times would be an understatement. The convention center of the Rio was decorated with banners and photo backgrounds, where fans could pose and snap a selfie. A good number of attendees were dressed in simple to very elaborate cosplay. Three unique gallery displays attracted attention these included a set reconstruction of ST:TOS bridge; an array of props, photos, and a replica of Ten Forward from ST:NG; and presentation of props and costumes from new Star Trek: Discovery. Photo Ops and Autographs sessions with the actors were available, for a fee. There at least three panels going on simultaneously and there was the exhibition hall where you could shop ‘til you drop.


A fandom convention requires that many participants display their love with the flair of a peacock. The Star Trek convention was no exceptions. There were Star Fleet officers and denizens from the far reaches of the galaxy. The creativity and the eye for detail were impressive.


The gallery displays were well done and set up like small museums. They were well worth the short wait in line.

  • ST:TOS Bridge set: a recreation of the bridge with flashing lights and sound effects. You could tell someone put a lot of work into making it as accurate as possible. For a fee, you could have a photo taken of you seating at one of the stations, including the captain’s chair.


  • ST:NG Ten Forward set: The set itself was rather dull just a beige and brown bar, but for a fee, you could have your picture taking with one of the stars of the show sitting at the bar. The best part of this room was the display of props, photos, and memorabilia from the shows seven-year run.


  • ST: Discovery: This gallery was filled with props, costumes, and photos from the new series. The sleek designs and elaborate detail each item showed an emphasis on detail that will not be lost on the screen. And as a bonus, you could have your picture taken in the commander’s chair, a gift from CBS.


Throughout the weekend there were opportunities to get autographs and photo-ops with some of the actors. Most of the time you paid a fee, received a ticket, and then waited in line. They had this down to a precision dance. For the photos, you waited in line, stood next to the star, flash, and you’re done. You’d return a few hours later and pick up your photo. For the autographs, you stood in line with the item you wanted to be signed and sticky-note with your name for personalization, you handed them to the actor, they signed, and off you go. With the numbers waiting there was no time for chit-chat.

As multiple panels were happening at once, and since I haven’t mastered the art of being in two places I once I chose carefully. Here are some of the highlights:

  • Q & A with Astronaut Mae Jamison – She spoke about how seeing Nichelle Nichols on ST:TOS inspired her to set her goal to one day go into space. She went on to discuss her current project, 100 Year Starship with the aim of interstellar travel within the next 100 years. (Ms. Nichols also surprised the audience by joining Ms. Jamison on stage.)


  • The Women of Star Trek – Moderated by Gates McFadden, the women discussed the changing role of women as reflected in characters of the Star Trek franchise. One panelist said that when she saw Whoopi Goldberg on ST:NG for the first time she called out, “Mama, Mama there’s a black lady on TV and she ain’t no maid.” This young woman is now volcanologist (Just to be clear, she clarified she studies volcanoes not Vulcans).
  • Remembering Leonard – A brief film documenting the actor/director Leonard Nimoy’s life and his struggle with chronic obstructive pulmonary disease (COPD). The feature was beautifully presented with remembrances from his wife, children, and grandchildren.
  • Star Trek: Deep Space Nine Panel – several members of the cast (Rene Auberjonois, Nana Visitor, Terry Ferrell, Armin Shimerman, Aron Eisenberg, and Max Grodenchik) sat on the couch and talked about their time together. It was generally expressed the end of the show was bittersweet because they didn’t want the show to end but it had run for seven seasons and hundred and seventy-six episodes, it was time to move on.


  • A Science Trek – Scientists from Cal Tech spoke three times over the weekend about the search for planets, especially Class M planets like Earth, and the upcoming solar eclipse. They are finding more planets within the “habitable zone” every day, so we are getting closer to being able “to explore strange new worlds, to seek out new life and new civilizations.”
  • Star Trek: Discovery – Four hours were devoted to introducing the newest Star Trek series, Discovery. Panels included storyline, actors, creatures, and comic/novel tie-ins. This show will be a bit different. First is the time line, Discovery will take place ten years before ST:TOS and shortly after Star Trek: Enterprise. This means we could see a young Sarek (Spock’s father) or Christopher Pike as a new graduate from Star Fleet Academy. The second is the focus of the stories will be below decks, where most of the franchise focused on events on the bridge this one will be following a young woman whose role on the ship wasn’t revealed, only that she is human but raised on Vulcan. The third, and most controversial, is that it will air on CBS All Access subscription service in the United States. Yes, we will have to pay to watch it.
  • Various stars gave one-on-one Q & A sessions, including George Takai, Walter Koenig, William Shatner, Sir Patrick Stewart, and Rene Auberjonois. Brent Spiner and LaVar Burton interviewed each other. This gave them also a platform to promote their favorite causes. For example, Mr. Auberjonois and Doctors without Borders; Mr. Shatner and Hollywood Charity Horse Show raising funds to support equine therapy groups; and George Takei and his support of LGBTQ organizations. These sessions whether in the large main hall or one of the smaller venues were full of stories, laughter, and few tears.

The exhibition hall was full of everything Star Trek, from clothing and toys to memorabilia. It was best to visit first thing in the morning as fewer shoppers were filled the aisles. I bought a few things. As I forgot to bring any earrings, I had to buy some Star Trek chevron ones. There were also tables where some actors were doing autographs in addition to the previously mentioned ones. I visited with Nichelle Nichols, James Darren, and Michael Doran.  As this time was less pressed, it was also a time for a short conversation. My favorite vendor was the girls at LLAP (Live Long and Prosper). This small business founded by Leonard Nimoy and his granddaughter Dani, offered some well-made t-shirts, jewelry, and memorabilia. A portion of all proceeds goes to COPD research. Dani, her mom Julie (Leonard’s daughter) and their friend, were warm and friendly. I don’t usually bond quickly with people, but when I said my farewells at the end of the weekend, it felt like saying goodbye to family.


Overall, the convention was well organized with a variety of events to keep everyone entertained. Creation Entertainment puts on several conventions for different fandoms throughout the year with ticket prices that vary depending on the perks you are willing to pay for. For example, general admission will get you into the venue space permitting (if all the seats are full you miss that event.) Gold level, on the other hand, gets you reserved seating in the front of the auditorium, autographs and meet & greets. I went with Copper level, so I knew I had a seat halfway back for the panels, like Sir Patrick Stewart, if all the general admission seats were full. But I could help feel like I was “nickeled and dimed” as some events required an additional fee to attend, even for the Gold level (Captain’s Chair Level, they were included). When you spend $400 or more to attend a convention, it’s disappointing when you get there and find you can’t attend all of the activities without additional cost.

The Rio Hotel and Resort was a lovely venue. Situated on the other side of Interstate 15 from The Strip, it was a more relaxed location. During the summer on Thursdays they show a movie by the pool under the stars, this week it was Galaxy Quest, which I enjoyed watching again. The only issue I had was the daily $22.99 “resort fee” added on to my bill that I was never told about until check out. When I made my reservations, the only amounts listed were the room and taxes.

It was a fun but tiring weekend. I’m glad I went, but would I do it again? Probably not. Though not as crowded as San Diego Comic-Con, it was significantly more expensive.  I think I would prefer a smaller fan convention. My hope is next year to visit the San Diego Who Con (a Doctor Who convention) or Gaslight Gathering (a Steampunk and Victorian convention).  Though another smaller Star Trek convention isn’t out of the question.

Until next time . . .

The door is always open, and the kettle is always on.

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Crowds, Cosplay & Comics: Comic Con 2017

Last week I attended San Diego Comic Con International at the convention center on the harbor in San Diego. This is a semi-regular event for me, my husband has attended most years since 1972. When we were newlyweds, I went with him every year but when we returned from Japan in 1997, the Con I remembered was no more. It had morphed from a small convention of 18,000 members to a whopping 90,000 people. This year the estimated attendance was a massive 130,000. With numbers like that it causes difficulty moving just from one panel to another.


The large crowds do allow for some wonderful people-watching and cosplay gazing. I’ll admit the cosplay was cool – lots of Wonder Woman outfits this year. The cutest was an Elsa (Frozen) / Wonder Woman mash-up – she wore Elsa’s blue gown with Wonder Woman’s chest armor, tiara, and sword in blue (Sorry no pic, her mom declined when I asked if I could take a picture). The oddest one was the bearded Wonder Woman, he told me his wife helped him create the costume.


Despite the large crowds, there were some panels worth facing the crowds and attending. Here are three I went to:

 Star Trek: The Next 50 Years – Authors Mark A. Altman and Edward Gross (The Fifty-Year Mission) along with Scott Mantz from Access Hollywood looked back over the last fifty years of Star Trek and speculated on where the franchise will boldly go during the next fifty years. They looked at how the television program and the movies have inspired generations to explore careers in science and technology – both male and female, and of all ethnic and racial groups due to the strong characters in the series. They cited the importance of Uhura (ST:TOS), Benjamin Sisco (ST:DS9), and Michael Doren (ST:NG) as role-models to name a few. It wasn’t easy to deal with the serious topics of equality and war, but under Gene Rodenberry’s leadership, determination to preserve his vision, and tenacity to stand up to network executives he won most of the time. One example when he backed down was that of Majel Barrett being demoted to Nurse Chapel from Number One in the original pilot because the network said no body would believe a woman as second in command.

Most of the lore they discussed was familiar, but they talked about a new movie in the works as well as a new television series – Star Trek: Discovery. Discovery is reported to take place ten years before ST:TOS, but it’s unclear if that is before or during the same time as ST: Enterprise. It will launch part one of the pilot on Sunday, September 24 following NFL Football and 60 Minutes, then part two will stream on CBS All Access immediately following. All remaining episodes will also be available on CBS All Access. It was discussed if fans would be willing to pay the approximately $4.95 per week to watch the weekly series. I’m sure I will find out more at the Star Trek Convention in Las Vegas next week (more on that to come.)


 Comics Arts Conference #5: Lassoing the Truth: Marston Verses Wertham in the Wonder Woman War –  The Comic Arts Conference is an academic conference within Comic Con study the role of comics in society, as well as the history and art. The topic was looking at William Moulton Marston, a psychologist and creator of Wonder Woman, who wanted to empower America’s youth and especially the girls to reach for something higher. He believed that if women were in power, the world would be a better place and free of war and poverty because the female of our species was more nurturing and empathetic than the males. When Fredric Wertham, a psychiatrist, wrote his book the Seduction of the Innocent (1954) he blamed the rise juvenile delinquency on the proliferation of comic books.  Wertham attacked Marston, who passed away in 1947, and his creation. Wertham felt it promoted S&M and lesbianism. He also felt that Wonder Woman gave girls a false sense of their abilities, and encouraged them to be un-feminine.   Time has shown that Wertham’s thoughts couldn’t be further from the truth. Wonder Woman has inspired countless girls to grow up and be soldiers, pilots, and police officers (and much more).

The panel included several notable participants: The first was Trina Robbins (The Legend of Wonder Woman), who I met at my first Comic Con in 1984, a comic book writer and historian. The other was Christi Marston (The Wonder Woman Network and Family Museum) William Moulton Marston’s granddaughter, whom I’ve wanted to meet.   Also leading the panel were Doctors Travis Langley and Mara Wood, whose book Wonder Woman Psychology: Lassoing the Truth was released this month.


 Tales from the Comic Book Crackdown – This was more than a panel, it was a performance by the Captured Aural Phantasy Theater, led by Ben Dickow, about EC Comics publisher of titles such as Tales from the Crypt and Weird Science. , Within the pages of their comics, there was clever commentary about the issues of the day including racism and McCarthyism. This “panel” was a presentation about the publisher of EC Comics, William Gaines, being brought before the U.S. Senate to testify in a hearing that would lead to censorship of comic books in 1954. Presented with music, slides, actual testimony from the hearing, and with additional commentary by comic historian Grant Geissman, it entertained the audience as well as informed them. The group, working with the Gaines family, hope to bring a full production to the stage in the fall. I heard about this hearing but listening to the actual testimony and looking at the actual pages of comics in question was enlightening and entertaining.


Many fans will wait days in line to get into Hall H, where many big stars appear to promote the latest blockbuster films – Thor Ragnarok, The Kingsmen II, and Justice League just to name a few. I personally won’t go there, for two reasons. First, you can spend the entire day waiting in the heat (the line is outside) to see one panel, and given what the cost of membership is to me it’s not worth it. Second, most of the events will be posted on YouTube so I can see them later.

Confession time – I did stand in one line, but only for ninety minutes, to get an autograph. It was worth this shortish wait for five minutes with John Barrowman. Best known for his roles in Doctor Who and Torchwood (Captain Jack Harkness), and is most currently in Arrow (Malcolm Merlyn). When I asked him, with a new Doctor in the wings wasn’t it time for a Doctor/Jack reunion? His response – “Hell, yes!”


One major attraction of Comic Con is the Exhibition Hall. Here publishers, writers, authors, and Hollywood studios vie for your attention. There are opportunities to see artists at work, get autographs, free swag, and of course for shopping. This year I was in the company of my husband’s eleven-year-old sister.  This being her first Con, she was a bit overwhelmed but reported that it was “freakin’ fun” and that I, her sister-in-law, was “really cool.”

The Exhibition Hall, the size of six football fields or more, could keep anyone busy for the four-day run of the convention. I bought a few books, a Star Trek t-shirt, a Doctor Who t-shirt, and Sarah Jane Pop! Toy. I stayed well within my budget for the weekend.


It was a long, exhausting weekend, but a time to spend with my husband and catch up with friends I hadn’t seen in a while. According to my Fitbit, I walked 52,191 steps (approximately 22 miles) over the four days. Most days we left my parent’s house at 6 AM to get parked and didn’t hit the sack until nearly midnight.


Hubby and me. (photo courtesy of Dave Davis Photography)

I am just now recovering from the long, active weekend I’m off on another adventure. This will be the last of the summer as I return to work on 7 August. This week I’m heading north to Las Vegas, Nevada (not to be confused with Las Vegas, New Mexico) for the 50th Anniversary Star Trek Convention. To boldly go where I’ve never gone before.

Until next time remember the door is always open and the kettle is always on.


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Finding My Tribe

This morning I’m in a fog, caused by a mixture of exhaustion, joy, and inspiration. I’m still processing my week at the Santa Barbara Writers Conference (SBWC), five and a half days of workshops, panels, speakers, and networking.



The Hyatt Santa Barbara – host to the SBWC 2017


Going to the SBWC has been on my to-do list for a long time. I had been a storyteller since I could talk, but I stopped when traumatized by the critique group for a creative writing class in college. In November of 2007, a friend dared me to join her for National Novel Writing Month (NaNoWriMo) and complete a 50,000 word first draft of a novel in thirty days. Flash forward to November 2010, I went to an event with my husband and took my notepad with me, after all, I had to get my 1667 words done that day. I planted myself in the corner of a couch and scratched away. With my nose buried in my words, I was unaware of a man’s approach until he spoke. “Young woman what are you doing and why aren’t you enjoying the party?” I look up, and it was Ray Bradbury. I had met Ray at other events and had found him easy to talk with. I told him about NaNoWriMo, my word goal, and my story. He smiled broadly, complemented my plot, and then said, “When you’re serious about your writing, you need to go to the Santa Barbara Writers Conference.” He made me promise I would go one day. Ray, I kept my promise, and I’m glad I did.

I know that most think of writing as a solitary endeavor. While the actual writing is often done holed up somewhere and shunning the world, writers are very social creatures. Writes go out into the world to gather information, observe, and get ideas.

At a conference, it’s finding like-minded people.  When you discuss writing with non-writers, after the initial expression of admiration or surprise if you continue to talk about writing their eyes glaze over or they begin looking around the room for an escape.  When you talk writing with writers, they nod in understanding, sympathize, and celebrate. You understand them and they you.

As I sit sipping Sweet Tea with Lemon (What else would I be drinking? It’s ten in the morning, and it’s already 101o F), I reflect on the past week and realize have found my tribe, as it was described by Grace Rachow, Director of the SBWC. Among a group where I’m not thought of as weird or a few degrees of center because this is family and they understand.

When I looked at the schedule for the week, I became overwhelmed. Even conferences for my pay-the-bills job were this full of choices. The day ran from 9 AM to 9 PM, and beyond. After I started to breathe again and Grace’s reassurance that I didn’t have to nor should I try to do it all that I came up with a plan.



Bill helping me review the schedule.


There were two sets of workshops – morning and afternoon – with ten to fifteen choices each. Some ran the whole week, other just one or two days. I chose to spend most of my mornings in the Mystery Writing with Leonard Tourney. Leonard’s novels can be described as Elizabethan Mysteries. I’ve read The Bartholomew Fair Murders, I enjoyed it and can recommend his books.  My afternoons were spent in Crafting Short Stories with Yvonne Nelson Perry. She is the author of many short stories about life on the Pacific Rim. I also attended two one-day workshops, Submitting Short Stories with Mac Talley and The Art of the Query with Trey Dowell.

Lecture was limited, the workshops were mostly discussion and critique. For me, there were several key take-home points.

  • The reader participates in the creation of the story in how they interpret the images, actions, and voices in your story.
  • Even in a plot-driving story (such as mystery or fantasy), it’s still about character. If your reader doesn’t care about your protagonist, they’ll stop reading no matter how wonderful your plot is.
  • Dialogue has two purposes, to give information to the reader but mostly to help define the character.
  • Every scene must have a purpose, if it doesn’t move the plot forward, cut it.
  • Follow the directions of the agent/publisher when submitting.
  • Query letters should be mostly about the story and less about the author.

I’ll admit I was a little nervous about the reading my work in front of (what was then) strangers. My college critique group was more, “let’s see how many we can make cry today.”  My critique group back home in the high desert cut me no slack and were hard on my stories. I would sometimes go home licking my wounds, only to review  it a few days later and saying, “Damn, they’re right.” The critiques during the workshops were spot on but very gently delivered. I have some changes to make, but I will have a better story in the end.

In the afternoon and before the dinner break, there were panels with agents, new authors, navigating Amazon’s publishing platform, and Catherine Ryan Hyde, an SBWC alumna and author of Pay it Forward. Unfortunately, I didn’t get to hear her speak, I was taken out for the afternoon by friends who lived in the area.

One of the highlights of the day was the evening speakers.  Each had an inspirational message about writing and our role in the universe.

  • Fannie Flagg (The Whole Town’s Talking) “If you can’t not do it, you’re a writer.”
  • David Brin (David Brin Presents Chasing Shadows) “I’m paid to be interesting, not right.”
  • Lesley M.M. Blume (Everybody Behaves Badly) “There was a time when Hemingway was a struggling writer among other struggling writers.”

Of course, it wasn’t all work and not play. There was time to socialize and network. I enjoyed the Opening Banquet where Monte Schulz (Crossing Eden) told us, “I want you to be persistent. I want you to be passionate.” Midweek, as we were “hitting the wall” there was a poolside cocktail party. The event closed with an Awards Banquet, where the best work presented in workshops were honored.

Even though each day’s events were officially over at nine, it didn’t stop there. At 9:30, the Pirates came out to play. The Pirate sessions were time to workshop stories into the wee hours of the morning. I joined the Pirates let by John Reed most nights, getting an average of five hours sleep each night, which explains why I’m so tired today. It was interesting to hear works from writers that were not in my daytime workshops. Even when I wasn’t reading my stories, I was learning from the techniques and comments of the other writers in the room.

There were a few times I wander away from the conference. Most morning, I took a leisurely walk down the beach and ate breakfast at the East Beach Grill. It was pleasant sitting on a patio just feet from the shore, watching the waves roll in, and the birds fly by. One morning, my walk to me past the bird sanctuary. The sound of large cat announcing its presence startled me until I realized I was by the back fence of the Santa Barbara Zoo.

One dinner break, I walked toward Sterns Wharf. It was much further than I thought so I was late getting back but it was worth it. I found a Louisiana-style seafood place, The Drunken Crab. I had a lovely bowl of King Crab Bisque. The staff was welcoming and attentive. Nothing fancy, but it would be a good place to go with friends.

Before driving home, I made one last stop. I went to Sambo’s by the Beach. The original and only remaining Sambo’s Restaurant. There was one thing I had to order – pancakes of course. Looking at the decorations brought back a memory from 1979, the last time I ate at a Sambo’s. Following my senior prom, a group of us were hungry and stopped to get a bite to eat. Situated across the street from the beach, it has a beautiful view of Stern’s Wharf and the marina. That morning there were also runners as the annual 5K /10K Solstice Festival was that morning.

At the Awards Banquet, I was asked if I would come back next year. Ray Bradbury once said, “First you jump off the cliff and build your wings on the way down.”  I jumped off the cliff, and I not only found some stronger wings, but my tribe was there to catch me. I’ll be back.

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